Monday, October 18, 2010
Friday, October 15, 2010
setting one's roots in motion
Let us wager that our own century's modernity will be invented precisely in opposition to all radicalism, dismissing both the bad solution of re-enrooting in identities as well as the standardization of imaginations decreed by economic globalization. For contemporary creators are already laying the foundations for a radicant art—radicant being a term for an organism that grows it's roots and adds new ones as it advances. To be a radicant means setting one's roots in motion, staging them in heterogenous contexts and formats, denying them the power to completely define one's identity, translating ideas, transcoding images, transplanting behaviors, exchanging rather than imposing.
-Nicolas Bourriaud
-Nicolas Bourriaud
Tuesday, October 05, 2010
play itself into exhaustion
WAIT
Wait for now.
Distrust everything if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting again.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love "is" faithfulness to the old.
Wait.
Don't go too early.
You're tired. But everyone's tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear
the flute of your whole existence,
rehearsed by the sorrows, play itself into exhaustion.
-Galway Kinnel
from Mortal Acts, Mortal Words
Wait for now.
Distrust everything if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting again.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love "is" faithfulness to the old.
Wait.
Don't go too early.
You're tired. But everyone's tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear
the flute of your whole existence,
rehearsed by the sorrows, play itself into exhaustion.
-Galway Kinnel
from Mortal Acts, Mortal Words
Sunday, October 03, 2010
one season

Someday, emerging at last from the violent insight,
let me sing out jubilation and praise to assenting angels.
Let not even one of the clearly-struck hammers of my heart
fail to sound because of a slack, a doubtful,
or a broken string. Let my joyfully streaming face
make me more radiant; let my hidden weeping arise
and blossom. How dear you will be to me then, you nights
of anguish. Why didn't I kneel more deeply to accept you,
inconsolable sisters, and, surrendering, lose myself
in your loosened hair. How we squander our hours of pain.
How we gaze beyond them into the bitter duration
to see if they have an end. Though they are really
our winter-enduring foliage, our dark evergreen,
one season in our inner year-, not only a season
in time-, but are place and settlement, foundation and soil
and home.
- Rainer Marie Rilke, from the Tenth Elegy (translated by Stephen Mitchell